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Participation: 50%-79%
Unique Durations: 6-7
Unique Chords: > 10
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Samuel Ricke
Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart
Samuel Ricke
2:27 Est. Play
Time
40 Measures
1,430Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
Violoncello, Basso
ed
Organo.		 Bass 33 0 12 4 86%
Viola. 25 0 14 4 80%
Fagotti. Bass 22 15 11 7 78%
Alto. 13 0 5 5 77%
Soprano. 14 0 4 4 77%
Organ Bass 31 22 15 6 76%
Trombone
alto ed
tenore.		 16 0 8 7 76%
Trombone
basso.		 Bass 18 0 5 5 76%
Basso. Bass 19 0 6 6 71%
Corni
di
Bassetto in
F.		 Treble 13 9 5 3 69%
Tenore. 17 0 8 7 68%
Trombe
in
D.		 Treble 6 4 0 1 53%
Timpani
in
D.A.		 Bass 4 0 0 1 51%
 
Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"
Samuel Ricke
8:24 Est. Play
Time
299 Measures
4,393Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 34 11 15 8 97%
Violino
II.		 Treble 31 24 15 7 96%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 34 11 15 8 97%
Violino
II.		 Treble 31 24 15 7 96%
Violoncello. Bass 29 0 13 6 90%
Viola. 28 44 11 6 90%
Contrabasso. Bass 29 0 13 6 89%
Fagotti. Bass 27 40 12 7 84%
Oboi. Treble 27 52 12 8 62%
Treble 27 60 12 8 77%
Clarinetti
in
B.		 Treble 23 47 7 7 72%
Flauto. Treble 21 0 7 8 69%
Corno
in
B.		 Treble 6 0 0 6 44%
Corno
in
G.		 Treble 7 0 2 6 37%
 
Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart
Samuel Ricke
4:33 Est. Play
Time
76 Measures
2,218Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
Bass 28 0 7 5 99%
Viola 23 1 8 7 99%
Violino
II		 Treble 25 6 8 8 95%
Violino
I		 Treble 24 6 8 7 89%
Contrabasso Bass 20 0 6 4 84%
Fagotti 26 0 7 6 84%
Corni
di
Basetto		 Treble 21 0 6 9 78%
Tenore 14 0 4 6 76%
Alto 13 0 4 7 71%
Trombone
tenore		 16 0 3 6 68%
Soprano 14 0 4 9 67%
Trombone
Alto		 15 0 4 8 64%
Basso Bass 19 0 6 6 59%
Trombe
in
B		 Treble 8 8 0 4 27%
Trombone
Basso		 Bass 12 0 1 4 26%
 
Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"
Samuel Ricke
12:38 Est. Play
Time
125 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
Violino
I.		 Treble 34 1 15 8 96%
Contrabasso. Bass 25 0 10 5 90%
Violoncello. Bass 26 0 10 5 90%
Fagotti. Bass 25 25 9 7 57%
Clarinetti
in
B.		 Treble 26 29 9 7 53%
Oboi. Treble 23 26 10 5 35%
Treble 23 34 11 7 52%
Corni
in
Es.		 Treble 11 10 2 5 48%
Flauto. Treble 19 0 9 7 47%
 
Mozart: Symphony No. 40 in G Minor, K. 550: IV. "Allegro Assai"
Samuel Ricke
9:04 Est. Play
Time
312 Measures
3,861Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 35 13 19 9 94%
Viola. 28 0 15 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 35 13 19 9 94%
Viola. 28 0 15 7 93%
Violino
II.		 Treble 32 21 15 6 91%
Violoncello. Bass 29 0 15 6 85%
Contrabasso. Bass 27 0 15 6 83%
Fagotti. Bass 30 55 18 6 80%
Oboi. Treble 25 58 16 6 69%
Treble 26 60 17 7 79%
Clarinetti
in
B.		 Treble 24 52 9 7 77%
Flauto. Treble 25 0 15 6 69%
Corno
in
B.		 Treble 8 0 0 6 48%
Corno
in
G.		 Treble 7 0 0 4 40%